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SirenSong - SirenSong - Heaven Or Las Vegas

from Heroes by Lights That Change

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Heaven Or Las Vegas is a track by the Cocteau Twins from their sixth album of the same name that was originally released on 17 September 1990.

lyrics

"Heaven Or Las Vegas"

Who'll ever win?
Gee, you're just so ephemeral
Go back for new
For new in vain, it failed

Singing on the famous street
I want to love me
Am I just in heaven or Las Vegas
It's so much more brighter than the sun is to me

He's a hustler
It's a role, he'll never make a suit
Hang on to this
So stay and spin and fail and fail
Who'll ever win?
Gee, you're just so ephemeral
Go back for new
For new in vain, it failed

Singing on the famous street
I want to love me
Am I just in heaven or Las Vegas
It's so much more brighter than the sun is to me
The chill must itch in my soul
That's like any old playing card
It must be why I'm thinking of Las Vegas
It's why it's more brighter than the sun is to me

Furthermore, let's blast it off
I'm dizzy so I go, another bit it off
Come fantasy, for a carnival
I'm empty before our wedding

Singing on the famous street
I want to love me
Am I just in heaven or Las Vegas
It's so much more brighter than the sun is to me
The chill must itch in my soul
That's like any old playing card
It must be why I'm thinking of Las Vegas
It's why it's more brighter than the sun is to me

Maybe there, while you was rail
I'll go in and seize your heart and be personal
I suspect I'm singing to you a tune
And still you find the beat and sing it to you soon
credits

credits

from Heroes, released August 22, 2019
Performed by SirenSong
Engineered and produced by Marc Joy
from Heroes EP, released August 16, 2019
The Cocteau Twins

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tags

about

Lights That Change UK

New-age dreampop sound. They have recently started making music but have received a lot of attention for the uniqueness and passion found within their music. It sounds almost like retro electronic pop from the eighties, from bands like The Cure, Cocteau Twins and Dead Can Dance, yet reclaims is modernity with their effects and almost eerie-like way of constructing songs.
THE EQUAL GROUND
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